you girls read something you all decide i'm gunna sit this one out too much going on right now with the kids. (tball, summer school, summer bible school)
wed Brian 1/27/2001
homeschooling mama to
Thank goodness I was never sent to school; it would have rubbed off some of the originality.
I actually stole this from a friend on myspace.. this is her summer book list and I thought these all sounded great, well.. most! it's got a description of the book with it :]
Williow by Julia Hoban
-Seven months ago, on a rainy March night, sixteen year- old Willow’s parents died in a horrible car accident. Willow was driving. Now her older brother barely speaks to her, her new classmates know her as the killer orphan girl, and Willow is blocking the pain by secretly cutting herself. But when one boy —one sensitive, soulful boy—discovers Willow’s secret, it sparks an intense relationship that turns the “safe” world Willow has created for herself upside down.
Bright Shiny Morning-James Fray
-Set in a Los Angeles populated by miniature-golf moguls, ex-beauty queens, gun-shop owners, debauched child actors, meth dealers, and yoginis in thongs, this gargantuan book is seeded, Melville-like, with chapters cataloguing the city’s snarled highways and quirky innovations (e.g., the world’s first video graveyard). The characters are relentlessly stock: two lovesick kids from the heartland ("nowhere anywhere everywhere"); a bulimic, closeted movie star with a "MEGAWATT!!!!!" smile; a Mexican-American maid with an abusive employer. Frey strives for incantatory but winds up with banal; when it comes to emotion, the best he can muster is "It’s deep, it’s true, and it’s real real real."
The Pact-Jodi Picoullt
-this psychologically shrewd tale is as suspenseful as any best-selling legal thriller. The Hartes and the Golds, professional folk living next door in an affluent New Hampshire town, are close friends, and their children, the Hartes' son, Chris, and Emily Gold, were born just weeks apart. Inseparable all through childhood, they slipped from the haven of intimate friendship into the tempestuous realm of love in high school, a transition their parents fully expected and welcomed. But Emily is secretly appalled by the incestuous nature of her relationship with Chris, and when she discovers that she is pregnant, she can imagine only one solution: suicide. Chris is with her when she dies and is consequently charged with her murder. As Picoult takes us through the nightmare that follows, examining each character's struggle with guilt and sorrow, she forges a finely honed, commanding, and cathartic drama.
13 reasons why
-When Clay Jenson plays the casette tapes he received in a mysterious package, he's surprised to hear the voice of dead classmate Hannah Baker. He's one of 13 people who receive Hannah's story, which details the circumstances that led to her suicide. Clay spends the rest of the day and long into the night listening to Hannah's voice and going to the locations she wants him to visit. The text alternates, sometimes quickly, between Hannah's voice (italicized) and Clay's thoughts as he listens to her words, which illuminate betrayals and secrets that demonstrate the consequences of even small actions. Hannah, herself, is not free from guilt, her own inaction having played a part in an accidental auto death and a rape. The message about how we treat one another, although sometimes heavy, makes for compelling reading
Living Dead Girl- Elizabeth Scott
-a 15-year-old girl who has spent the last five years being abused by a kidnapper named Ray and is kept powerless by Ray's promise to harm her family if she makes one false move. The narrator knows she is the second of the girls Ray has abducted and renamed Alice; Ray killed the first when she outgrew her childlike body at 15, and now Alice half-hopes her own demise is approaching (I think of the knife in the kitchen, of the bridges I've seen from the bus... but the thing about hearts is that they always want to keep beating). Ray, however, has an even more sinister plan: he orders Alice to find a new girl, then train her to Ray's tastes. Scott's prose is spare and damning, relying on suggestive details and their impact on Alice to convey the unimaginable violence she repeatedly experiences. Disturbing but fascinating, the book exerts an inescapable grip on readers—like Alice, they have virtually no choice but to continue until the conclusion sets them free.
-Sheff relates his personal struggle with drugs and alcohol in this poignant and often disturbing memoir. Paul Michael Garcia is the perfect choice for narrator; his stern and entirely believable voice captures the desolation in Sheff's tale. His reading is wonderfully underplayed, and necessarily so. Garcia becomes Sheff, offering a gritty and raw performance that demonstrates just how dire the circumstances surrounding Sheff's existence really were
The Tenth Circle-Jodi Picoullt
-Comic book artist Daniel Stone is like the character in his graphic novel with the same title as this book—once a violent youth and the only white boy in an Alaskan Inuit village, now a loving, stay-at-home dad in Bethel, Maine—traveling figuratively through Dante's circles of hell to save his 14-year-old teenage daughter, Trixie. After she accuses her ex-boyfriend of rape, Trixie—and Daniel, whose fierce father-love morphs to murderous rage toward her assailant—unravel in the aftermath of the allegation. At the same time, wife and mother Laura, a Dante scholar, tries to mend her and Daniel's marriage after ending her affair with one of her students. Picoult has collaborated with graphic artist Dustin Weaver to illustrate her deft, complex exploration of Daniel and his beast within, but the drawings, though well-done, distract from the powerful picture she has drawn with words. Laura and Daniel follow their runaway daughter to Alaska, at which point Picoult drives the story with the heavy-handed Dante metaphor—not the characters. Still, this story of a flawed family on the brink of destruction grips from start to finish.
Lock and Key-Sarah Dessen
-Ruby hasn’t had much success with family. Her father left; her protective older sister, Cora, left; and her boozing mother finally leaves, too. Ruby is alone until Cora learns of her situation and swoops in. Suddenly, Ruby finds herself living with Cora and her wealthy brother-in-law, attending private school, and wondering just where she fits in. As in previous books, Dessen takes on a central theme—here the meaning of family—and spins many plots and subplots around it. Most prominent yet least successful is the thread about Cora’s relationship with boy-next-door Nate, who rescues her when she needs it, but has difficulty accepting Ruby’s help, tentative at first, when she discovers he’s being physically abused. Nate seems too good to be true (as does Cora’s husband), while his father is a caricature. And one of the most important elements, the issue of the girls’ mother lying to them, gets lost.
so just let me know what y'all think and add your own too if you don't like any of these!
I'm game for anything!
I would love to read My Sister's Keeper. I want to see the movie, but I feel that I should read the book first.
Maybe that should be our book!